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A cache of [Kenneth] Siegel’s photographs from the ’70s, which included these images of the the “S.N.L.” cast and the others taken in Times Square, were given to the New-York Historical Society in 2008. Tom Schiller, who produced short films and wrote for “S.N.L.,” says that after each week’s show was finished, everyone headed downtown to One Fifth Avenue (now Otto) for an afterparty — not, usually, to Greek joints. “It’s rare to see them all lined up like that,” Schiller says. “It’s weird and wonderful.” (source)
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"Walking to school each day, I passed the Italian butcher shop, carcasses hanging in the window, and the fish monger, the dead bodies of fish, heads and tails intact staring up at me from their bed of ice … The Italian grocer on the corner, narrow and dark, redolent of those smells only an Italian grocery has: Parmesan cheese, olives, prosciutto and more …"
" … the bodega where the Puerto Rican owner spoke no English and I stood with a nickel or dime in my grimy hand working hard to choose penny-candy from the glass case … Dots (those pastel half-circles of sugar pasted on a long strip of white paper), Smarties, miniature wax Coke bottles filled with dark syrup, red wax lips, candy cigarettes, Necco Wafers …"
"The Italian ice place next-door [sold] lemon ices, smooth and tart, … served in a pleated paper cup. You’d squish it to get the ices to come up where they could be licked…"
Dammit, Billie Frank, you have my childhood and I want it back.
Architect Eero Saarinen, designer of the St. Louis Gateway Arch.
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Protester against Hubert Humphrey’s 1968 presidential candidacy, October 1968, NYC. (The Vietnam War was seen as a “Democrat-owned” war at this time.)
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Alice Neel (1900-1984) “A true Greenwich Village bohemian …[who] made an extraordinary body of work, from the 1920s into the 1980s. (link)
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Young man in curlers, in his 20th Street apartment, NYC, by Diane Arbus
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by LeRoy Henderson, “Anti-Vietnam War Series, New York,” 1968.
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